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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Although many of the references &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Disney movies are &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;characters from their animated classics collection or Pixar films&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;occasionally &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;animation studio will add in a nod to other characters under the Disney banner&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;scene in The Little Mermaid when King Triton makes his entrance in Atlantis to &lt;/del&gt;a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;room full of guests&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;many have spotted Goofy &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Donald Duck sitting in &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;crowd. But&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a second before they become visible, Kermit &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Frog is shown seated farther back &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the audience&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;recognizable by his green collar&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;We can only wonder why &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mickey Mouse and Muppets characters chose not to sit toget&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Though Obi-Wan&lt;/del&gt;&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ghost already played a role in the original trilogy (embodied by the late, great Sir Alec Guinness), as L-R correctly points out,  [https://gamedealhq.com discount game keys|https://gamedealhq.com/] Hayden Christensen was CGI-surgically implemented into George Lucas&#039; redux of Return of the Jedi in replacement of original Human-Vader actor&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sebastian Shaw. In &lt;/del&gt;that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sense, McGregor&lt;/del&gt;&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;slot in franchise is pretty secure, should the filmmakers choose to go in that direction. After all, &lt;/del&gt;for a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;younger generation of fans, McGregor IS Obi-&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Though the cost and time commitment involved in the capture process (it took two years to create &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;look of Clu, and then longer &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;create movement) will likely limit its use in feature&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;film productions, at least for &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;It&#039;s hard to believe Jurassic Park was originally not going to use CG dinosaurs, &lt;/del&gt;but &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Steven Spielberg spent months working with stop motion guru Phil Tippett to create his dinosaurs with &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;same technique used to bring the Imperial Walkers and Tauntauns to life &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Empire Strikes Back . When the director asked ILM to show &lt;/del&gt;him &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;what a computerized dinosaur could look like&lt;/del&gt;, the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;decision was clear. When Tippett learned he&#039;d been beaten out by newer tech, he told &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;director that &quot;he&#039;d just became extinct.&quot; Luckily, that wasn&#039;t the case - but Spielberg made sure to put that very wording into the movie as one of Ian Malcolm&#039;s li&lt;/del&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;There are some who might say a movie’s entire message is sent by how it begins, and how it ends. But rarely do directors actually treat their first and final shots with so much importance. Unforgettable views, moments of triumph, or witty dialogue can all make a cut-to-black and end credits seem perfectly timed, but some directors go the extra mile, crafting a start and finish that add an extra level of storytelling for viewers paying close attent&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Harrison Ford&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mark Hamill &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Carrie Fisher &lt;/del&gt;are &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;all locked &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as Han Solo, Luke Skywalker and Leia Solo&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;respectively - but recent rumors have suggested that &lt;/del&gt;other &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;characters from the franchise&#039;s past could &lt;/del&gt;be &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;coming back as well&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;But &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;question remains: is revisiting &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;past a welcome bit &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;nostalgia&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;or is it &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;same kind &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;misstep that &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;prequel films m&lt;/del&gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Look, &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;my own opinion, I&#039;ve never been a big fan of prequels/sequels that go out of their way to shoehorn every single familiar or fan-favorite character into &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;new narrative. Prequel appearances by characters like C&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;3PO and R2D2 (oh&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;so-conveniently present in the saga &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Anakin Skywalker as they were in &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;saga &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Luke Skywalker) still irks me almost &lt;/del&gt;as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;much &lt;/del&gt;as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jar-Jar Binks&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;On &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;other hand: an appearance by Ghost Palpatine is intriguing&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;since we&#039;ve &lt;/del&gt;never &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;seen Sith ghosts onscreen before - &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;if we&#039;re going that route&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an appearance by trust-old Obi-Wan&#039;s spirit doesn&#039;t seem like all that bad of &lt;/del&gt;a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cameo &lt;/del&gt;to&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Disney has released fifteen minutes of behind the scenes footage from TRON: Legacy as they increase their marketing campaign &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;preparation for the December 17 release of the film&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The footage is fairly raw&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;unlike &lt;/del&gt;a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;traditional BTS feature&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;which would be inter-cut &lt;/del&gt;with &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;interviews &lt;/del&gt;that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;give &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;context for &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;footage&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One does get a sense of some &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;technology used in making &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;film&lt;/del&gt;, as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;well as some of the techniques emplo&lt;/del&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Somewhere out there in the universe, a force is growing under a veil of secrecy and shadow - and not just any force, but THE force. We&#039;re now two years &lt;/del&gt;away from &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the 2015 release of &lt;/del&gt;J.J. Abrams&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039; &lt;/del&gt;Star &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wars Episode VII &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;we still know little-&lt;/del&gt;to&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-nothing solid about what Disney has planned &lt;/del&gt;for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;its big re-launch of Star Wars - other than the fact &lt;/del&gt;that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;some familiar faces will be returning to the franch&lt;/del&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Star Wars: Rogue One &lt;/del&gt;will be &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a war story about how &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rebel Alliance stole &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;first Death Star&lt;/del&gt;&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;plans, while a Boba Fett movie would (presumably) examine &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;crime underworld of &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Star Wars universe - meaning&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an Obi-Wan spinoff could stand well apart from the other planned or rumored Anthology films (and help to insure that each one feels unique and explores different genr&lt;/del&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;Aside from pop culture references&lt;/del&gt;, the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wachowskis also managed to include one massive hint &lt;/del&gt;that &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;most fans probably never noticed&lt;/del&gt;. When &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Neo finally confronts &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Architect &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Matrix in &lt;/del&gt;the first &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sequel&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he learns that the creator of &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;system has been following him his entire life (or lives) - &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the first movie already offered proof&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;When Neo is first captured by enemy Agents, a bank of surveillance monitors shows him being interrogated&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The exact same monitors &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Architect is surrounded by in &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;next movie. Critics may claim &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;directors never planned on more than one film to start, but some &lt;/del&gt;of the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bigger ideas were clearly there right from &lt;/del&gt;the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;st&lt;/del&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;For those not versed &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Harry Potter mythology, we&#039;ll just say that &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bring down Lord Voldemort&lt;/ins&gt;, the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;three Deathly Hallows were sort of an important combination&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;It wasn&#039;t until &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;second last book that audiences learned that &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cloak, stone&lt;/ins&gt;, and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Elder Wand held &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;key to victory&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;idea was teased ahead of time. As &lt;/ins&gt;in, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;two full movies ahead of time&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In one of &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;franchise&lt;/ins&gt;&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;best easter eggs&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dumbledore tells Harry &lt;/ins&gt;that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he&lt;/ins&gt;&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;been searching &lt;/ins&gt;for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;such &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;detail that held &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;secret &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;defeating Voldemort &lt;/ins&gt;- but the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;answer is literally right &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;front of &lt;/ins&gt;him, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;form of a 3D version of &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Deathly Hallows symbols stored in his own off&lt;/ins&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;There are some who might say a movie’s entire message is sent by how it begins, and how it ends. But rarely do directors actually treat their first and final shots with so much importance. Unforgettable views, moments of triumph, or witty dialogue can all make a cut-to-black and end credits seem perfectly timed, but some directors go the extra mile, crafting a start and finish that add an extra level of storytelling for viewers paying close attent&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;So while we now know that American Horror Story season 2 will have nothing to do with its first season in any way, it&#039;s time to think about what type of storytelling will be inspired from its mental hospital sett&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Most of the hidden easter eggs inside Disney movies only manage to reference one movie at a time&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but one shot in Tangled features nods to three other princess films. When Rapunzel &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Flynn Rider &lt;/ins&gt;are &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poring over an atlas while at the festival of lights &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Corona&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;books referencing &lt;/ins&gt;other &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;films can &lt;/ins&gt;be &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;seen&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One open book displays &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;story from &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;opening sequence &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sleeping Beauty &lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and two others are the storybooks containing &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;tales &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Beauty and the Beast and The Little Mermaid . It&#039;s unclear if Rapunzel has read &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fairytales of her fellow Disney princesses, but it&#039;s a nicely hidden references to their fi&amp;lt;br&amp;gt;&lt;/ins&gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Total Recall is a simple enough story: an everyday Earthling &lt;/ins&gt;in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;not&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;too&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;distant future, Douglas Quaid, dreams &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a passionate affair with a beautiful woman on &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;surface &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mars. So when a business offers to implant false memories for a price, Quaid decides to make his dream a reality – at least &lt;/ins&gt;as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;far &lt;/ins&gt;as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his mind is concerned&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The procedure goes awry, and Quaid’s false memories disappear, revealing that he really WAS a secret agent working on Mars, and &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;woman from his dreams wasn’t imaginary. At least&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that’s what he thinks. The movie &lt;/ins&gt;never &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;states whether Quaid’s return to Mars really happened, and whether he succeeded in releasing air into its atmosphere, &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;saving its poor population. But taking a quick glance at just how closely the film’s final scene resembles Quaid’s dream&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;those suspecting it was simply &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fantasy have even more evidence &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;back up their cl&lt;/ins&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;James Cameron&#039;s 3D blockbuster smash may have taken audiences to an alien world, but it begins at home, &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a futuristic Earth&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Actually&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Avatar begins in &lt;/ins&gt;a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dream sequence&lt;/ins&gt;, with &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the movie’s hero Jake Sully explaining &lt;/ins&gt;that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his sleep has become filled with visions of flying ever since he was wounded in combat, opening his eyes every morning to find he&#039;s still confined to a wheelchair. His adventure on &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;planet Pandora piloting an artificially-grown human/Na-vi hybrid allows him to do more than fly,  [https://Gamedealhq.com/ Recommended Web-site] successfully defending &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;planet from his own side’s forces&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The final shots &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movie mirror &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;beginning directly, showing Jake once again opening his eyes – this time, to a new body, a new people, and a new purpose. To take things further&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the end credits are run over the exact same shots of flying &lt;/ins&gt;as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Jake&#039;s first dr&lt;/ins&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;While some directors might shy &lt;/ins&gt;away from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fan criticism, &lt;/ins&gt;J.J. Abrams &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;seems to embrace and accept it. He is fully aware of the fan reaction to &lt;/ins&gt;Star &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Trek Into Darkness &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his movies overall. He even tries &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;make up &lt;/ins&gt;for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;his misgivings with his next film, but he&#039;s not above admitting &lt;/ins&gt;that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;he miscalculated what he thinks fans w&lt;/ins&gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Speaking at the American Horror Story panel at the TV Academy last week, Murphy revealed that the second season &lt;/ins&gt;will be &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;moving across &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;country for its new setting and will be taking place at an institution for &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;criminally insane that&lt;/ins&gt;&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;set on &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;East Coast. Returning favorite Jessica Lange will be running &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;institution&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;though no additional information about her character was revea&lt;/ins&gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Two sequels followed&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but when Neo finally ended &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;war in his epic battle with Agent Smith, their fight is set at &lt;/ins&gt;that &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;exact intersection &lt;/ins&gt;. When the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;two slam into the street, you can even catch a glimpse &lt;/ins&gt;of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;phonebooth from &lt;/ins&gt;the first &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;f&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Whether or not you&#039;re excited about the new setting&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it&#039;s difficult to jump to any negative presumptions about &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;decisions Murphy &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Co&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;decide to make&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;After &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;whirlwind adventure that was &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;first season, one can rightfully assume that &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;quality &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;storytelling will continue – no matter &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;location or &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;time per&lt;/ins&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>AleciaHaigler</name></author>
	</entry>
	<entry>
		<id>https://aniimo.info/index.php?title=10_Amazing_Hidden_Details_In_Disney_Films&amp;diff=10268&amp;oldid=prev</id>
		<title>NoeMjn3964342657: Created page with &quot;&lt;br&gt;Although many of the references in Disney movies are to characters from their animated classics collection or Pixar films, occasionally the animation studio will add in a nod to other characters under the Disney banner. In the scene in The Little Mermaid when King Triton makes his entrance in Atlantis to a room full of guests, many have spotted Goofy and Donald Duck sitting in the crowd. But, a second before they become visible, Kermit the Frog is shown seated farthe...&quot;</title>
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		<updated>2026-04-30T07:52:22Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;br&amp;gt;Although many of the references in Disney movies are to characters from their animated classics collection or Pixar films, occasionally the animation studio will add in a nod to other characters under the Disney banner. In the scene in The Little Mermaid when King Triton makes his entrance in Atlantis to a room full of guests, many have spotted Goofy and Donald Duck sitting in the crowd. But, a second before they become visible, Kermit the Frog is shown seated farthe...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;br&amp;gt;Although many of the references in Disney movies are to characters from their animated classics collection or Pixar films, occasionally the animation studio will add in a nod to other characters under the Disney banner. In the scene in The Little Mermaid when King Triton makes his entrance in Atlantis to a room full of guests, many have spotted Goofy and Donald Duck sitting in the crowd. But, a second before they become visible, Kermit the Frog is shown seated farther back in the audience, recognizable by his green collar. We can only wonder why the Mickey Mouse and Muppets characters chose not to sit toget&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Though Obi-Wan&amp;#039;s ghost already played a role in the original trilogy (embodied by the late, great Sir Alec Guinness), as L-R correctly points out,  [https://gamedealhq.com discount game keys|https://gamedealhq.com/] Hayden Christensen was CGI-surgically implemented into George Lucas&amp;#039; redux of Return of the Jedi in replacement of original Human-Vader actor, Sebastian Shaw. In that sense, McGregor&amp;#039;s slot in franchise is pretty secure, should the filmmakers choose to go in that direction. After all, for a younger generation of fans, McGregor IS Obi-&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Though the cost and time commitment involved in the capture process (it took two years to create the look of Clu, and then longer to create movement) will likely limit its use in feature-film productions, at least for &amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;It&amp;#039;s hard to believe Jurassic Park was originally not going to use CG dinosaurs, but Steven Spielberg spent months working with stop motion guru Phil Tippett to create his dinosaurs with the same technique used to bring the Imperial Walkers and Tauntauns to life in The Empire Strikes Back . When the director asked ILM to show him what a computerized dinosaur could look like, the decision was clear. When Tippett learned he&amp;#039;d been beaten out by newer tech, he told the director that &amp;quot;he&amp;#039;d just became extinct.&amp;quot; Luckily, that wasn&amp;#039;t the case - but Spielberg made sure to put that very wording into the movie as one of Ian Malcolm&amp;#039;s li&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;There are some who might say a movie’s entire message is sent by how it begins, and how it ends. But rarely do directors actually treat their first and final shots with so much importance. Unforgettable views, moments of triumph, or witty dialogue can all make a cut-to-black and end credits seem perfectly timed, but some directors go the extra mile, crafting a start and finish that add an extra level of storytelling for viewers paying close attent&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Harrison Ford, Mark Hamill and Carrie Fisher are all locked in as Han Solo, Luke Skywalker and Leia Solo, respectively - but recent rumors have suggested that other characters from the franchise&amp;#039;s past could be coming back as well. But the question remains: is revisiting the past a welcome bit of nostalgia, or is it the same kind of misstep that the prequel films m&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Look, in my own opinion, I&amp;#039;ve never been a big fan of prequels/sequels that go out of their way to shoehorn every single familiar or fan-favorite character into the new narrative. Prequel appearances by characters like C-3PO and R2D2 (oh-so-conveniently present in the saga of Anakin Skywalker as they were in the saga of Luke Skywalker) still irks me almost as much as Jar-Jar Binks. On the other hand: an appearance by Ghost Palpatine is intriguing, since we&amp;#039;ve never seen Sith ghosts onscreen before - and if we&amp;#039;re going that route, an appearance by trust-old Obi-Wan&amp;#039;s spirit doesn&amp;#039;t seem like all that bad of a cameo to&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Disney has released fifteen minutes of behind the scenes footage from TRON: Legacy as they increase their marketing campaign in preparation for the December 17 release of the film. The footage is fairly raw, unlike a traditional BTS feature, which would be inter-cut with interviews that give the context for the footage. One does get a sense of some of the technology used in making the film, as well as some of the techniques emplo&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Somewhere out there in the universe, a force is growing under a veil of secrecy and shadow - and not just any force, but THE force. We&amp;#039;re now two years away from the 2015 release of J.J. Abrams&amp;#039; Star Wars Episode VII and we still know little-to-nothing solid about what Disney has planned for its big re-launch of Star Wars - other than the fact that some familiar faces will be returning to the franch&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Star Wars: Rogue One will be a war story about how the Rebel Alliance stole the first Death Star&amp;#039;s plans, while a Boba Fett movie would (presumably) examine the crime underworld of the Star Wars universe - meaning, an Obi-Wan spinoff could stand well apart from the other planned or rumored Anthology films (and help to insure that each one feels unique and explores different genr&amp;lt;br&amp;gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;Aside from pop culture references, the Wachowskis also managed to include one massive hint that most fans probably never noticed. When Neo finally confronts the Architect of the Matrix in the first sequel, he learns that the creator of the system has been following him his entire life (or lives) - and the first movie already offered proof. When Neo is first captured by enemy Agents, a bank of surveillance monitors shows him being interrogated. The exact same monitors the Architect is surrounded by in the next movie. Critics may claim the directors never planned on more than one film to start, but some of the bigger ideas were clearly there right from the st&amp;lt;br&amp;gt;&lt;/div&gt;</summary>
		<author><name>NoeMjn3964342657</name></author>
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